The following films have been celebrated in the dorm rooms and bachelor
pads of many future maverick freethinkers, and continue to inspire
and entertain successful, dominant men as P.C. culture and soy milk
destroy all valuable art. Almost every one is a must-see for a man
who believes in justice for Benghazi and that he could have
personally killed Osama Bin Laden better.
- Taxi Driver: A man struggles in a world where veterans are disrespected and women don't know what they want. Our hero disregards these setbacks, trains at killing, gets bulked up, and takes a solid crack at cleaning up the human trash he sees around him, earning him the admiration of women and society in general.
- Scarface: A refugee fleeing the nightmare of communism fights to make a place in the world and protect his family, which is ultimately ruined because he cares too much about the women in his life. In the end he is sadly tricked by foreigners who want his job and kill him when his guard is down. The Second Amendment is unable to save him, but he does still get to shoot a big gun a lot of times.
- A Clockwork Orange: A rad guy named Alix with a no-fucks-given attitude and an actual appreciation for Western arts and culture lives an exciting life with his friends doing whatever they want and resisting control of the nanny-state. The authorities eventually capture Alix and try to reeducate him with some bleeding-heart empathy brainwashing and make him into a weakling. As a weakling, he is easily bullied by cops and the rich, and death is the only answer.
- American Psycho: A hilarious, charismatic boss with an incisive view of society teaches us how to be awesome and lordly. Patrick Bateman does whatever he wants, and refuses to take shit from women and poor people. Learn how to make the world your playground with the powerful workout and skin care routines of a corporate champion. A warning: in the end, all the cool stuff Bateman has done turns out to be a dream or something, and that he's just a wannabe living in a fantasy world, which doesn't seem right.
- Fight Club: A sniveling beta learns to become an alpha male through physical combat and by starting several small businesses that help empower sad men and address the crisis of masculinity. As usual, some woman is there to mess things up, and the storyline gets lame by trying to explain away all the cool stuff that happened, claiming it was all a fantasy in the main guy's head. Why do movies do that?
- Fear and Loathing: A funny, trippy movie for you more artsy types, this is a biting satire of the groovy left that became emboldened in the sixties. An aging burnout takes truckloads of drugs and hallucinates a false reality as he pretends to be an writer. This out-of-touch liberal wanders around Las Vegas contemplating the stupidity of the hippy generation and ends up nowhere.
- Armageddon: Weak foreigners and our own useless federal government are unable to deal with a looming threat to the world, so the nanny state is forced to turn to good old blue-collar private sector workers in the awesome oil industry to get 'r done. Angry dad Harry Stamper ultimately kills himself rather than see his daughter marry some sissy-boy.
- Boon Dock Saints: Basically the perfect movie, this grand adventure is filled with manly Irish pride, a refutation of all things P.C., and an adrenalin-filled illustration of why you need a good guy with a gun to stop to stop a bad guy with a gun. That dude from the Walking Dead and another badass white dude with culture and violence skills star in this immensely satisfying vigilante tale. Along the way, the boys buy guns from the IRA, and fight Russians on St. Patrick's Day. They start off as two normal guys, but decide to become serious gangsters and it all works out. This movie also shows that homosexuals can be cool cops and call other homosexuals “fag” and it's funny.
- Wolf of Wall Street: A man proves that you can pull yourself up by your own bootstraps if you try hard and learn to be charismatic, and understand how business works. The protagonist makes crazy money, does awesome drugs, and gets to bang Margot Robbie. They try to discredit him in the end, but at least acknowledge that a true man like that can't be held down. Cool fact, this film was even funded by money that smart business-types funneled out of a Malaysian charity fund.
- The Grinch Who Stole Christmas: Dr. Seuss had penned this awesome revenge plot of a singular strong man who takes revenge upon a collectivized society of virtue-signalers, but left it unfinished when he died. The story was finished by his wife who (surprise surprise!) makes the Grinch soften into a grade “A” pussy who redistributes his wealth in a sickening metaphor for the welfare state.
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